Dance has always been part of the vibrant cultural landscape of Chicago & my communal upbringing as a young person living on the south side in the 70’s & 80’s. Upon returning here after a 20 + year hiatus, i am excited to begin looking more closely at how dance has permeated the everyday culture of this distinguished city. What are the multiple ways in which dance can be experienced here? How can Chicagoans explore dance as a communal exchange? Enter Chicago Dancing Festival: “From August 20-25, 2012, the Chicago Dancing Festival will present six days of FREE dance programs by artists from Chicago and across the country, to an anticipated audience of 20,000! [The] mission is to elevate awareness of dance in Chicago and increase accessibility to the art form by presenting a wide variety of excellent dance that will enrich the lives of the people of Chicago, provide aspiration for local and future artists and raise the national and international profile of Chicago, furthering Chicago as a dance destination.”
Oft the most valued exchange in this contemporary society involves money. Communal exchange asks that one is not consumed with the expectation that they get their money’s worth, but look to the possibilities of what is being reciprocated, offered and experienced. With Chicago Dancing Festival providing an exciting array of events at no charge, this opens up the possibilities that any and every Chicagoan can experience dance in multiple ways; without the money variable. My particular focus will be on three interactions that highlight compelling dimensions of communal exchange:
– Bolero dance Chicago, Larry Keigwin & Dancer’s ultra community collaborative project that includes the ‘everyday Chicagoan’ will be presented as part of the festival’s opening program, “Chicago Dancing” at the Harris Theater, Monday, August 20 & again as part of the Festival’s grand finale program, “Celebration of Dance” at Pritzker Pavilion on Saturday, August 25.
– Choreographer Nicholas Leichter’s intriguing work with select young dance artists from the Chicago community program, Afterschool Matters, showcases alongside Bolero and other Chicago based companies including Giordano Dance Chicago, opening night of the festival, Monday August 20th at 7pm.
– “Dancing Under the Stars” open community space, where ‘you can dance if you want to’ with a live orchestra’ immersed in the beautiful surroundings of Grant park on Thursday, August 26th at 6pm. Polka!
i would also like to take note of the “Chicago Now” discussion on the current state of dance in Chicago, Friday August 24th at 6pm. Moderated by journalist and former dancer Zac Whittenburg, it features : Lane Alexander(Chicago Human Rhythm Project), Ron De Jesús (Ron De Jesús Dance), Carrie Hanson(The Seldoms) and Julie Nakagawa(DanceWorks Chicago). The program will also include brief performances by The Seldoms, Ron De Jesús Dance and FootworKINGz. This evening complements the concept of communal exchange by giving essential insight to the artists’ experiences and process in ways, an audience may not get to learn of by just witnessing the work.
In looking at these multiple opportunities to experience the dance through communal exchange, implicit is the cultivation – even inside just the act of witnessing a performance – of a meaningful relationship. Temporally this may only last an hour or two, but nevertheless both artist and audience participant are left with lasting impressions. These moments go deeper into other aspects & possibilities of communal exchange for Chicagoan to experience.
How might one further define communal exchange?
For the past two decades i have been exploring communal exchange through my performative work with D UNDERBELLY, a network of artists of color from a vast spectrum of experiences. Within the core of this concept is consideration for the deepening of a vital relationship that draws upon the aspects of equity in which there are certain expectations to be met, governed by our responsive energy to each other and cultivation of a shared space for thoughtful interaction.
If one becomes part of a communal exchange there is a illuminating experience where both audience/participant and performer are active and vital. building of a community takes place surrounding a common thread – in this instance dance. We come to actively witness the process. We may get opportunity to learn ‘hands on’ from the artist the particular aesthetic or tradition; allowing us to embrace its complexities and feel the flow of its moving force. even dance the dance.
How might Chicagoans experience this communal exchange?
From now til the end of the festival, i will be exploring more in depth discussion on what it means to be part of a communal exchange inside the landscape of Chicago Dance Festival through witnessing & conversing with those involved in Bolero dance Chicago, Nicholas Leichter & After School Matters, as well as community members who wish to dance the Polka “Dancing Under the Stars”.
Returning back to my youth experiences on the southside, communal exchange was the gateway to dance for me; getting to witness the community i lived in construct performances, learn dances not from a ‘technique’ point of view, but ‘a-community-gathers-&-just-celebrates-moving-together point of view, dancing on stage to Gloria Esteban/Miami Sound Machine for “Footlites”, be simultaneously embarrassed yet inspired by my mother dancing at church functions and trying my hand at choreographing. It was such an important part of my upbringing, informing my professional inroads into dancing and art. It allowed me to understand how dance can be part of the ‘everydayness’ of culture. Chicago Dancing Festival can/may be that for many Chicagoans… A gateway…
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