Day 3 – ‘the hands are not equal’

today i plan to visit the panafest office so that i can register and check in on the panafest activities coming up…my ‘son’ tells me that the office has moved to heritage house in the center of town…

i begin the day with breakfast at the hotel and take in the banter between the staff waiters and the current guests….having met the waiters last nite (“V” and “J”) i chat with them about the way the guests treat them…when one of these guests (whom i believe are not Ghanaian but definitely West African) wants something they ‘hiss’ or snap intently towards the staff…
i find this very disrespectful but find out that this way is often used to get people, taxis’ attention.

i refuse to engage in this’ hissing- snapping’ and rather just say their names…in the midst of this breakfast event ‘we shall overcome’ is sung by these same guests…i wonder if the staff should be singing it…

this interaction between the West African guests (all of whom are male) and the staff (also alll male) intrigues me as i muse over:

–African slavery historically and African entitlement currently; if Europeans enslaved based on economics and fear, then can it be thought that Africans would enslave and have enslaved based on status and power? this way in which i witnessed this interaction stimulated such a hypothesis….i also imagine that there were Africans whom might have been driven by greed as well, but i doubt that fear played into their connection to enslavement of other Africans..who knows?

by midday i am heading to the panafest office at heritage house and am ‘schooled’ by an elder who lives at the site…i accidently come into his ‘living’ area and assuming i knew better (ie thinks i am Ghanaian) he speaks harshly to me about not knocking and respecting someone’s place…i apologize and say that i thought this was an office space and pull out my ‘i am American’ card on him (i would use this a couple more times during my journey)….he looks at me intently and says ‘ no excuses!’ and directs me to the office in the basement…there i meet some of the staff and finally register and get some insight into the locals and line-up for the Panafestival.

i meet up with the visual artist from the previous day and have a deep discussion about his lack of knowledge surrounding his artistry…” do art that speaks from your heart and not just sells coins to feed’ is my response to him when i look at what he tells me is his art….i find out that it is not that easy to dismiss the fact that selling for food is a necessity and speaking from your heart is always connected to artistry…however this art that he was selling for food was not his own! i think about the European/American art dealers and challenge my own assumption that Africans have too much integrity to be selling SOMEBODY ELSE’s art OR they SHOULD be sharing ONLY what comes from their experience…well whom am i to suppose this art that this brother is selling is NOT connected to his own personal experience?

anyway…

by evening i have been introduced to hip-life music which is a rich fusion of high-life music of ghana with hip-hop culture…producing a mix that honors the old school with the new school…though i don’t think my Ghanaian brothers whom i meet would feel that high life is old by any means….here the contemporary and the traditional or past are married in such a way that it is not thought of as old or new.

Oasis Beach Resort
i end the day at a spot called Oasis – actually not too far from the Cape Coast Castle and the spot where i met the ‘conscious’ brothers the other day….my son takes me there and meets up with a friend of his who tries to hit me up to ‘sponsor’ his football team…i suspect this is a hustle but stay kool with him….later we check out a dance and music performance of a local group and i have my first interaction with Ghanaian police!

it seems that the owner of Oasis (Turkish gentleman who acts like he was living in South African apartheid) calls the police on my son’s friend….there apparently had been a mugging at this spot a week ago and so the locals at the spot are suspected….i am standing next to my ‘son’ and his friend and the police reach for me and the others…i pull out the ‘i am AMERICAN’ card again and am immediately released…they reach for my son whom i state is with me ….the owner then goes for the friend and says ‘ he needs to go’ …the police proceed to pull, then push, then shove, show off their rifles and ‘escort’ the friend off the premises…


i am reminded of a saying that i heard earlier that day ….’the hands are not equal’…interestingly enough from the “visual artist” G …one hand may offer you LESS than the other hand…one brother may give you a GOOD DEAL and another may try to WRING YOU DRY…
but i discovered another understanding by the end of the nite…here in Ghana brothers are dealt ‘not-so-equal-hands’ similar to brothers in America… a thought but not a conclusion…

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Author: Barak adé Soleil

creative practitioner, independent consultant and curator. making dance, performance art and theatre. working within community.

One thought on “Day 3 – ‘the hands are not equal’”

  1. With the visual artist I think your objection is more about the fact he’s implying that the artwork is his. (I share that objection, too.)

    We may be applying our cultural context. In the artist’s mind, there may not be a distinction between what is his artwork and what is artwork for him to sell. Do you see what I mean?

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