“the poetics of Empire”: a series of tweets

“the poetics of Empire” +

f#‎Tarajihenson‬ expressing her love of faggots in ‪#‎Empire‬

#Tarajihenson claiming James Brown lineage in #Empire

#‎Terrencehoward‬ cappin instead of rappin in #Empire

Dark shades and shady matters in #Empire

Something’s going down in #Empire

Monsters and geniuses, princes of America and gays in #Empire

Even a building is a B$tch in #Empire

#Tarajihenson calling people sissies in #Empire

#Tarajihenson advising against selling donuts and cookies in #Empire

Sons trying to be good enough in #Empire

No one’s safe from being called a B$tch in #Empire

Everybody is a rap song, r&b singer or medley in #Empire

#Tarajihenson knows thangs in #Empire

#Tarajihenson offering words of wisdom on white girls/women in #Empire

#Tarajihenson tipping and gun slinging in #Empire

Pill popping and butt slapping in #Empire

Oh ‪#‎Sidibe‬ faking preop in #Empire.

‪#‎notsopc‬ in #Empire

#Terrencehoward telling his queer son to take that “bass” out of his voice in #Empire

#Terrencehoward telling his queer son that it’s a choice in #Empire

Chains chains and bigger gold chains in #Empire

#Tarajihenson called a B by her “son” and oh, psychotic in #Empire

#Gaboureysidibe platinum blond and sassy in #Empire

#Tarajihenson feet hurting asking for #chicken in #Empire

#Tarajihenson sweated out her hair for this role. #Empire

#queerlove and #Kente in #Empire.

#Terrencehoward who did your hair? #Empire

Just peeped #KehindeWiley painting in the house of #Empire

#LeeDaniels I hope you “find your soul” in #Empire

Empire "family" from left to right: Trai Byers, Taraji P. Henson, Terrence Howard, Jussie Smollett, Bryshere Gray
Empire “family”
Trai Byers, Taraji P. Henson, Terrence Howard, Jussie Smollett, Bryshere Gray

#BlackIsBold

+{these are select tweets. in my original tweets, “kente” refers to mud cloth. i incorrectly spell the names of the actors Taraji P Henson , Gabourey Sidibe & Terrence Howard. they are corrected for the purposes of this blog}

The dance eclectic, the dancing electric part 1:Chicago Dancing Festival places the “Everyday Chicagoan” on a world class stage

There is a continuum…this continuum places within our reach: young people, elders, black, white, mixed, Asian, Latin/Hispanic & all of the above, dynamic & virtuosic, poised & sophisticated beings.  All on the same stage.  A world class stage.  For all to see. And feel deeply what they saw.  And tell others what they love.  How they loved experiencing a reflection of their city expressed through the dance panorama that took place last night as part of the Chicago Dancing Festival.  A reflection of Everyday Chicago articulated by Everyday Chicagoans. The dance eclectic? Yes: hip Africa post modern contemporary release idiosyncratic balletic cha-cha lyrical character defiantly undefinable. The dance electric? Most certainly.  Like static cling, it clung to us.  Hair  raised on arms at times.  Defying gravity.  Residing still within my recesses.

It begins with a Touch of Soul.  Because that is how the evening began.  And what  a beginning…the dancers eclectic, their dancing electric.

One of my foci to blog for the festival, i had the pleasure of meeting with Chicago Dancing Company commissioned choreographer Nicholas Leichter and some of the crew from After School Matters’ Hip Hop Culture Dance Ensemble : Shannon Brown, Dorian Rhea, William Harris and Kaina Castillo.  Prior to the performance, we gather in the dressing room to discuss this communal exchange.   Within a few minutes, i can already sense the communal synergy  between choreographer and dancers.  Though, at times, that distinction was blurred; as Nicholas is quick to admit how these young people threw in their own kinetic thoughts, shapes, moves into the composition.  Throughout their process  he encouraged, insisted that their artistic voice be heard.  Be honored.  Challenged.  And he diligently cultivated it inside the rehearsals and within their “presence”.  Any artist within the performance field knows how difficult it can be to be ‘present’.   To be keenly aware of what’s & who’s around you at all times during a live performance exchange; such that if someone bumps into you or throws you off, the moment is still infused with your crafted spontaneous creativity.  That takes skill. And hearing these young dancers speak about how inspiring it was to have Nicholas as a mentor, a reflection of what they desired to become, you got the feeling his presence only enhanced their luminous presence. Indeed, Nicholas wanted to make his ‘presence’ known in Chicago as well.   He spoke briefly with Lar Lubovitch [one of Chicago Dancing Festival’s Artistic Directors] about the project and heard a little about the After School Matters program, but had yet to truly discover the kinetic possibilities within these Chicagoans.  Then came the first rehearsal…”First day we didn’t know what to expect!” Shannon proclaims, the others immediately concur.  “All the hype” they had heard about him, what they pulled from the internet, didn’t compare to seeing Nicholas preparing in the studio for the initial rehearsal.  “Nic was feeling it!” As they watched him moving to the music, they got more excited.  Even more nervous.  “Before Nic came, i never knew i needed to work on my sassy, fierce, stuff” Kaina professes. “…How to throw myself [into the dance] and be able to whip my hair“.  All with technique and control i might add.  Nicholas succinctly and brilliantly conveys that in his detailed choreographic aesthetic. More than just a ‘hybrid’ the vocabulary defies the boxes it supposedly exists within.  ‘Hip-Hop’ Urban? Even contemporary  doesn’t seem to capture the multi-layered legacies he explores with his company of dancers in Ny; now with his ‘company of dancers’ in Chicago.  To him it’s all about vibing off what’s/who’s in the room that informs the creative impulse inside the compositional landscape.   With two working weeks, he takes them through an exhilarating experience heightening their kinesthetic abilities; utilizing everyone who wanted to be part of this process.  By the end of the process,  he has delivered a potent message to these artists; one that continues to resonate for them.  “A new vision…Nic’s notion of ‘staying out of the box’….to come up with your own labels” (Kaina).  “Recreated…[to be able to just] switch it up” (Shannon)  [While]”After School Matters has given alot of teens a voice, an outlet, a chance to be heard”(Dorian),  Nicholas has offered to them “a new box of crayons… So now [i] can go home and create [my own] picture…” (William)

A Touch of Soul’s (from left) Dorian, Kaina, William & Shannon with choreographer Nicholas Leichter

more to come on A Touch of Soul and Bolero Chicago’s premiere last nite at Chicago Dancing Festival

Living the dance part 2: Multiple Bodies, Multiple Voices…A unifying language

Today they prepare.

Tonite they perform.

Community has formed.

Some have left.

Others still arriving. ..

More exchanges to occur.

Multiple bodies signifying multiple voices unified through moving language.

This evening

We will witness them ‘living the dance’.

…Janet has a solo! From just having one nite’s rehearsal ‘under her belt’ to now proving how wonderfully individualized is the experience of being a community member of  Bolero Chicago,  she gets to have a ‘moment’.  It’s one of  many moments individual Chicagoans will have as part of the process of being a ‘dancer’ for the Chicago Dancing Festival premiere of Larry Keigwin & Company’s inclusive choreography.  Janet will ‘put the button’ on the end of a phrase. The ‘button’ being a jump as fleeting yet signature of her vibrant persona onstage.  She finds it refreshing that “so many [kinds of] people are moving together…A testament that everyone can dance.”

For some of the  Bolero Chicagoans, this has been an extension of their dance lineage.  For others simply pure expression of their love of moving.  Veronica embodies both.  20 years of age, she has been dancing for 15 of them.  It takes an hour & half to travel to rehearsal from Garfield Park, her current residence.  Veronica is nonplussed; focusing on the  intention of each move and how to “hit that beat“.  Her connection to beat, to rhythm, stems from her earlier experiences and love for Jazz dance.  She’s currently involved in Hip-hop but feels equally at home learning how to become a fluid ‘character’ inside Bolero; living the dance as one ‘type’ of Chicagoan inside a shifting urban landscape.  “It’s about natural movement, taking the everyday” [and performing it] with flair.” i see this in the way Veronica ‘hits’ certain moves during last Wednesday’s rehearsal.

i also get to witness others move in ways that suggest their lineage as well.  One Chicagoan, in a striking ‘pas de deux’ with her partner, shows her attention to detail, the lines in her body that have clearly been cultivated by years, if not decades, of training in ballet or contemporary technique.  Another in the choice of footwear and how this dancer places them on; a symbol to anyone in the rehearsal, that she has danced before! Indeed each community member shapes the dance with their individuality, offering up mutable ‘characters’ or interesting personas.  To me, this further suggests not only their quest to find the “character inside the dance” as Veronica puts it, but the ‘character of Chicagoan’.

What signifies the character of Chicago? Its uniqueness? and How will the “everyday Chicagoan” emerge from Bolero?

Tonite, we shall see what Larry, Ashley, Gary,  {Chicagoans}Veronica, Janet, Ira and other community members of Bolero Chicago offer up for ‘answers’….

Bolero Chicago will be part of the exciting lineup for ‘Chicago Dancing’ , 7:00pm at Harris  Theater, part of Chicago Dancing Festival. Featuring local companies alongside national artists; in particular, will  also be blogging about Nicholas Leichter’s Touch of Soul, choreographed in collaboration with After School Matters/Gallery 37 dancers.  below is  a preview of  Touch of Soul dancers in rehearsal.  Hope to see you tonite!